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Halifu Osumare’s Refereed Publications Book, Chapters & Articles 2001-2012
Refereed Publications (Books)
- The Hiplife in Ghana: West African Indigenization of Hip-Hop. New York: Palgrave Macmillan, Forthcoming 2012.
- The Africanist Aesthetic in Global Hip-Hop: Power Moves. New York: Palgrave Macmillan, 2007. Paperback Edition, 2008.
Refereed Publications (Chapters & Articles)
- “Wrapped in Illusion: The Hip-Hop Emcee as Trickster,” in Toyin Falola, ed. Ésú: Shifting Dynamics of Tricksterhood and the Crossroads in Africa and the African Diaspora. Indianapolis: Indiana University Press, Forthcoming 2012.
- “Motherland Hip-Hop: African American Youth Culture in Senegal and Kenya,” in Ifeoma C.K. Nwamkwo & Mamadou Diouf, Eds. Rhythms of the Afro-Atlantic World: Rituals and Remembrances, University of Michigan Press, 2010.
- “Dancing the Black Atlantic: Katherine Dunham’s Research-to-Performance Model,” “Migration of Movement: Dance Across Americas,” a special issue of AmeriQuest
(www.ameriquests.org) 7.1 (Spring 2010)
- “Sacred Dance/Drumming: Reciprocation & Contention within African Belief Systems in the San Francisco-Oakland Bay Area,” in Lillian Ashcraft Eason, Darnie Martin, and Oyeronke Olademo, Eds., Women and New and Africana Religions. Santa Barbara CA: Praeger, 2010., 123-144.
- “Rap & Hip Hop,” Encyclopedic Entry, The Oxford Encyclopedia of African Thought, F. Abiola Irele and Biodun Jeyifo, Eds. Oxford University Press, 2010, 272-275.
- “Jay-Z on his IPod: Barack Obama as a Hip-Hop Generation Pop Icon,” Online: Seeing Black.Com, 2009,
http://www.seeingblack.com/article_680.shtml
- “The Dance Archeology of Rennie Harris: Hip-Hop or Postmodern?” in Julie Malnig, ed., Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader, University of Illinois Press, 2008.
- Book Review of Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomblé by Yvonne Daniel, Dance Research Journal Summer 2008 (40.1), 89-92.
- “Gazing the Hood: Hip-Hop as Tourism Attraction,” with Philip Feifan Xie and Awad Ibrahim, Tourism Management (2007)
- “Katherine Dunham: A Dance Pioneer of Postmodern Anthropology” in VèVè A. Clark and Sara E. Johnson, Kaiso, Writings by and about Katherine Dunham, Madison, WI: University of Wisconsin Press, 2005, 612-623.
- “Global Hip Hop and the African Diaspora.” in H. Elam, Jr. & K. Jackson, eds., Black Cultural Traffic: Crossroads in Global Performance and Popular Culture. Ann Arbor, MI: University of Michigan Press, 2005, 266-288.
- “Phat Beats, Dope Rhymes, and Def Moves: Hip Hop’s African Aesthetics as Signifying Intertext” in Niyi Afolabi, ed., Marvels of the African World: Cultural Patrimony, New World Connections, and Identities, Lawrenceville, NJ: Africa World Press, 2003, 371-394.
- “Break Dancing and the Intercultural Body,” Dance Research Journal 34/2 (2002).
- “The Hip Hop Globe: Troping Blackness Off the Hook” Columbia Journal of American Studies 5 (2002), 36 –58.
- “Beat Streets in the Global Hood: Connective Marginalities in the Hip Hop Globe.” Journal of American & Comparative Cultures 2/1&2, (2001), 171-181.
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